~/moremory $ whoami
I take brand films from the first idea to the final render, and I still do the hard parts myself. Lately I also build AI film pipelines and creative tools. Based in Toronto.
move the cursor · click the empty space · scroll slowly · there are a few secrets
~/moremory $ play showreel.mp4
A short cut of my favourite shots from the last few years: launch films and product work.
~/moremory $ cat roles.txt
Hire me for one of these, and the other two come with it.
Brands: Snapp, MVM, Outlit AI, Ramzinex, OD × Magic Eden, Moringa, OneFood, Inergio, Nourison, ODTO
~/moremory $ ls ./work --featured
Open one to see the film, how we made it, and who I made it with.
~/moremory $ head about.md
I lead the idea and the team, then I sit down and animate, light and render with them. What I pitch is what gets delivered.
More about me →~/moremory $ ls -l ./work
14 projects from 2020 to 2025. Mostly 3D films and ads, plus 2D explainers, AI films and one short film of my own.
~/moremory $ cat about.md
Art director and creative director. I still do the work.
I lead films from the first idea to the final frame: the concept, the look, the team, and then the hands-on part. I'm in Maya and Cinema 4D every day, so what I pitch is what gets delivered, and it lands on time.
In 12 years I've made launch films, product films, explainers and ads for brands like Snapp, MVM, Outlit AI, Nourison and Ramzinex, first as an animator, then running my own studio, Lech Studio. Today I'm the Art Director at ODTO.
AI is part of how I work now. I build pipelines that keep AI footage on brand and on model, then finish it properly in CG, so teams get more out of a budget without the work looking cheap.
~/moremory $ services --list
The concept, the look, the storyboard, and keeping everyone on it until delivery.
Product and character films with a premium finish. I light and render most of them myself.
Explainers and brand motion that make a complicated product feel simple.
Where I started. Pacing, sound and the cut still decide whether a film works.
Campaigns made with AI video, built from proper character and product sheets and finished in CG so they hold up.
Pipelines, small tools and real-time graphics that help creative teams make more, faster. See AI Systems.
~/moremory $ ls ./systems
Pipelines, tools and real-time graphics I build with AI and code. This is the creative technologist side of my work.
A note so nobody gets the wrong idea: AI is one of my tools, not the whole job. The films in Work were made by hand in Maya, Cinema 4D and After Effects. This page is about what I build on top of that craft.
A real-time particle engine. Around 56,000 particles move between generative forms (attractors, torus knots, gyroids and type) as you scroll, with shader transitions, a post-processing pass and trackers that lock onto real particles.
A spec brand film where every frame is generated by code: particles that build boxes and type, wireframes, trackers, morphs and physics. No footage, no stock, no 3D package. The sound is generated too.
How I make AI films that hold up for brands. It starts with real design work: character and product sheets. Then generation, and then a proper finish in CG and comp, so the product is always correct and the characters stay on model.
Small AI tools and platforms for studios and brands: things that cut the slow, repetitive parts of production so the team spends its time on ideas. New ones land here as they ship.
Want one for your team? →~/moremory/work $ cat x33/README.md
about the project
credits
~/moremory/work $ ls ./behind_the_scenes
~/moremory $ say_hi()
Send me an email. I usually answer within a day or two.
I'm open to Art Director, Motion Designer and AI Creative Technologist roles, full-time or freelance.